The relationship between a dancer and their audience during a performance is a very special one. It is an unspoken agreement where the dancer agrees to give their whole self to the work. For the duration of the performance, it is the dancer giving generously, and the audience receiving. Through movement I try to reach the essence of what someone is trying to say. To get closer and closer to what that truly is I commit hours in the studio. To make sure my efforts translate, and the audience has a takeaway from it is my wish for every moment I spend on stage. It is a gift that I get to research this and delve in further in a space as vibrant as NDT. – Omani.

The Edge of Things
We starten het seizoen met The Edge of Things door NDT 2. Met 2 wereldpremières en de herneming van het geliefde, humoristische en absurdistische FIT (2018) van Alexander Ekman.

RESONANCE
RESONANCE viert gedurfde, grensverleggende en iconische werken van gerenommeerde makers die we koesteren bij NDT. Mémoires d’Oubliettes (2009) van Jiří Kylián, The Statement (2016) van Crystal Pite en Woke up Blind (2016) van Marco Goecke.



